With this work, I investigate the effects of continuing misconceptions about women’s bodies and roles in society by capturing cyanotype documents of the spaces in which I cleanse myself of my public facade each day. By placing the chemistry-soaked paper underneath me during acts of washing my body or making impressions of the space after the cleansing is complete, I am able to make a document of the residue of my movement through the world, providing an abstract but direct reference to my body and the toll societal expectations have on women. All of the cyanotypes in this body of work are living documents, as the light-sensitive chemistry is never completely washed clean to stop their development, making the photographic process “incomplete”. This allows the images to continue to change and develop over time, making reference to the lingering effects of cultural beliefs about women’s bodies as well as acknowledging how far we have yet to go until women will truly gain full equality.